A little sleepless so ill get a first phone draft of my take.
The name Sennheiser always seemed to have this great name recognition. Like the names Bose, or Shure even people outside the audio and production world would make an association when hearing the Senn name, an association of quality gear with a touch of that fabled German engineering.
In the mid 2000’s, when I was looking for my first pair of headphones, I really wanted the best I could buy. Doing my online research The Internet at that time seemed to agree either the HD 600 (or it’s newer “better” brother the HD 650) or the Ultrasone Edition 9 was the absolute best you can get, period. So silly me, seeing that the Sennheiser models were older, I immediately went for the Ultrasones. That is until I saw they were retailing for over $1k. Well, ok, this is where the Senns come in right? No. At $500 they too felt insanely expensive. But to this college students luck, Ultrasone had a model that also had a titanium driver, same sized as the Edition 9, and the cup shape matched it too. And it wasnt even $300!!! Buy! Buy! Buy! For many years the Proline 2500, faults and all, was my main headphone. Until one day, seeming out of the blue, there was an announcement and an ensuing media rush by this company called Massdrop…
Oddly enough I heard the news of the HD 6XX via all the tech YouTubers I followed. It seemed too good to be true. The now classic HD 650 was going to be offered for less than half it’s normal cost. Outside of concert tickets, this was the only thing I set an alarm for and “camped out” to buy. Fighting through an overloaded and breaking site I got my order in on the first batch. I was so excited as no one knew if there would be more runs, and contrary to the Edition 9s, the legend of these Sennheisers only grew with time.
A few weeks later they arrive and I unknowingly unplug the Proline 2500 for the last time. The HD 6XX did not immediately impress. Compared to what I had the sound was much flatter, rounder, softer, and very opposite of the V shape I was used to. I stuck with it, break in improved it a little but not much. The real staying factor was the comfort, both physically and sonically as it was the only pair I could wear during frequent sinus and ear issues. I kept with them for years despite falling away from the hobby. I always heard how good these were so I figured maybe it was just me.
Around the start of the pandemic I figured it was time for some audio upgrades. It had been a solid 5 years since I touched or looked at anything audio related so there had to be some advances. Well a lot changed but somehow the HD 600 and 650 never left the conversation. I made a choice that instead of selling them to fund other gear, I would give them another shot on an amp that seemed to have equal staying power and one I wanted to build for more than 10 years. The Bottlehead Crack.
I think the first listen to my HD 6XX on the BHC may have knocked my socks clean off and across the room. It was as if they transformed into a totally different headphone, a headphone I had been reading about for so many years. The small smooth round ball was replaced by this big textured landscape. The sound grew these broad shoulders and there was extended treble and actual bass. The stage reached so deep and wide and the sound presented itself in a warm welcoming bloom. One-more-song-itus set in quickly. I do not know what this headphone was or what it did to my old HD 6XX, but whatever it was it solidified a permanent rotation spot from that day on.